A single square frame holds everything that enters this room. Each photograph contributed is automatically trimmed, then positioned by an algorithm within a growing grid. When space is needed, the grid rearranges itself; older fragments shift, new ones settle, yet the frame's border is never breached. After every re-configuration the system generates a short text — recorded in 'refractions', which, describes the current state of the mosaic without reference to its history. The work is an experiment in governed flux: you supply matter, the machine supplies order, and neither preserves a stable past.